GENDER STUDIES FROM PERMANENT BLACK

We've published some of India's most highly reputed scholars on gender. Permanent Black's gender studies list traverses law, culture, sexuality. See below.

Meera Kosambi
CROSSING THRESHOLDS
Feminist Essays in Social History
HB/ 350PP + 7 B/W PICTURES / RS 695.00 / WORLD RIGHTS

Rajeswari Sunder Rajan
THE SCANDAL OF THE STATE
Women, Law, and Citizenship in Postcolonial India
HB/ 350PP/ RS 595.00

Nivedita Menon
RECOVERING SUBVERSION
Feminist Politics Beyond the Law
HB / 275PP / RS 595.00 / SOUTH ASIA RIGHTS / 2004

Charu Gupta
SEXUALITY, OBSCENITY, COMMUNITY
Women, Muslims and the Hindu Public in Colonial India
HB / 400PP, 30 ILLUSTR. / RS 350 / SOUTH ASIA RIGHTS / 2005

Tanika Sarkar
HINDU WIFE, HINDU NATION
Community, Religion, and Cultural Nationalism
PB/ 280PP / RS 295 / SOUTH ASIA RIGHTS

Ratna Kapur
EROTIC JUSTICE
Law and the New Politics of Postcolonialism
HB/ LARGE FORMAT / 210PP / RS 595.00 / SOUTH ASIA RIGHTS

Jörg Fisch
IMMOLATING WOMEN
A Global History of Widow-burning from Ancient Times to the Present
PB/ 600PP, + 25 B-W PIX / RS 495.00/ SOUTH ASIA RIGHTS

Partha Chatterjee and Pradeep Jeganathan, editors
SUBALTERN STUDIES XI
Community, Gender and Violence
PB/ 360 PP / RS 325.00 / SOUTH ASIA RIGHTS

Nazir Ahmed
THE BRIDE’S MIRROR
a translation by G.E. Ward of the first Urdu bestseller, Mirat ul-Arus
by Maulvi Nazir Ahmad, with an Afterword by Frances W. Pritchett
HB / 250PP / RS 350.00 / WORLD RIGHTS

Meera Kosambi, editor and translator
RETURNING THE AMERICAN GAZE
Pandita Ramabai’s The Peoples of the United States (1889)
HB/ 300PP + 4 B/W PICTURES / RS 595.00

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THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay” brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in E...

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK FROM THE REVIEWS Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ﬀ ers is a wholly original account of the transformation to agrarian colonialism . . . Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarl...

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript...

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