10 May 2010

The Virtually Unknown Mahatma of Indian Academics



Dharmanand Kosambi
The Essential Writings



Edited, Translated, and with an Introduction by Meera Kosambi




The life and writings of Dharmanand Kosambi (1876–1947), pioneering scholar of Pali and Buddhist Studies, comprise the substance of this book.


Born in rural Goa, Dharmanand came under the spell of the Buddha’s teachings during his adolescence. As described in his long autobiographical memoir (included here), at an early age he set off on an incredible journey of austere self-training across the length and breadth of Britain’s Indian Empire, halting to educate himself at places connected with Buddhism. His sojourns included living in Sri Lanka to master Pali as a novitiate-scholar, in a Burmese cave as a bhikshu, and in some viharas of North India—begging for monastic sustenance—as well as in Nepal and Sikkim which he reached after arduous, sometimes barefoot, treks. Over these itinerant years Dharmanand acquired such mastery of the Buddhist canon that he was variously appointed to teach and research at Calcutta, Baroda, Harvard, and Leningrad.


As a thinker Dharmanand blended Buddhist ethics, Mahatma Gandhi’s philosophy of truth and non-violence, and the ideals of socialism. He exchanged letters with the Mahatma, worked for his causes, and died in the approved Buddhist/Jain manner by voluntary starvation at Sevagram ashram. Arguably, no Indian scholar’s life has been as exemplary as Dharmanand’s, or has approximated as closely to the nobility and saintliness of the Mahatma’s.

Despite his mastery of several languages, Dharmanand chose to write in Marathi because of his strong region-specific commitment. Consequently, very few today are familiar with his copious output in Buddhist Studies, and fewer still with his contribution to social and political thought.

By translating and marshalling his most significant writings, Meera Kosambi shows the manifold dimensions of Dharmanand’s personality, and the profoundly moral character of his intellectual journeys. Her Introduction also contextualizes the life, career, and achievement of one of modern India’s greatest scholar-savants.


MEERA KOSAMBI is a sociologist trained in India, Sweden, and the USA. She has specialized in Urban Studies and Women’s Studies. She was formerly Professor and Director of the Research Centre for Women’s Studies at the SNDT Women’s University in Mumbai. She has taught, lectured, and published widely in India and abroad. Her books include Returning the American Gaze: Pandita Ramabai’s ‘The Peoples of the United States’ (1889) (2003), Crossing Thresholds: Feminist Essays in Social History (2007), and Feminist Vision or ‘Treason against Men’? Kashibai Kanitkar and the Engendering of Marathi Literature (2008).

READ Nayanjot Lahiri on Dharmanand Kosambi here:
story: From where I sit: Noble quest for knowledge
http://www.timeshighereducation.co.uk/story.asp?storycode=412618&encCode=195301951BC86180875JTBS737226611


READ UPINDER SINGH ON DHARMANAND KOSAMBI here:
http://www.telegraphindia.com/1100910/jsp/opinion/story_12912374.jsp

HARDBACK / 430PP incl. 5 b/w photos / Rs 695 / ISBN 81-7824-303-2 / WORLD RIGHTS / Publication date August 2010

09 May 2010

Burning Issues in a Long Out-of-Print Classic: New, Radically Revised, Substantially Enlarged Edition













D.R. NAGARAJ
The Flaming Feet and Other Essays The Dalit Movement in India
Edited and with an Introduction by Prithvi Datta Chandra Shobhi and with a Foreword by Ashis Nandy

READ A REVIEW here and here

Described by Ashis Nandy as the foremost non-Brahmin intellectual to emerge from India’s vast non-English speaking world, D.R. Nagaraj (1954–1998) was a profound political commentator and cultural critic.

Nagaraj’s importance lies in consolidating and advancing some of the ideas of India’s leading Dalit thinker and icon, B.R. Ambedkar. Following Ambedkar, Nagaraj argues that the Dalit movement rejected the traditional Hindu world and thus dismissed untouchable pasts entirely; but, he says, rebels too require cultural memory. Their emotions of bewilderment, rage, and resentment can only be transcended via a politics of affirmation.

This book gives us Nagaraj’s vision of caste in relation to Dalit politics. It theorizes the caste system as a mosaic of contestations centred around dignity, religiosity, and entitlement. Examining moments of untouchable defiance, Nagaraj argues out a politics of cultural affirmation within his redefinition of Dalit identity. More significantly, he argues against self-pity and rage in artistic imagination, and for re-creating the banished worlds of gods and goddesses.

Nagaraj’s importance lies in suggesting a framework for an alliance of all the oppressed communities of India. This involves, first, a reconciliation of Gandhi and Ambedkar; second, a recognition that modernity has caused a technocide vis-à-vis artisans; third, a reimagining of the Dalit rejection of history, for an alternative reading of untouchable pasts shows that these humiliated communities possessed an autonomous cultural domain.


Nagaraj was that rare observer of politics who did not offer standard social science fare: in fact, he used the phrase ‘competent social scientist’ to damn the person he was speaking of. Not only were his themes unusual, his analytical methods and quirky reliance on cultural texts for analysis were equally so. He uses such material and focuses on these themes because his sensibility was shaped by the Dalit movement, as much as by the time he spent scrutinizing literary texts.

This is a foundational text for Dalit Studies. It was first published in 1993 and has been out of print for the past many years. The present edition is a radically expanded version of the original and includes many hitherto unpublished and uncollected essays and lectures by Nagaraj.

HARDBACK / 284PP / Rs 595 / 81-7824-276-1 / SOUTH ASIA RIGHTS / JULY 2010 / COPUBLISHED FOR THE WEST BY SEAGULL NEW YORK

Who's Afraid of Sir Ifor Evans?



A CONCISE HISTORY OF INDIAN LITERATURE IN ENGLISH

edited by Arvind Krishna Mehrotra




This is an updated, text-only version of AN ILLUSTRATED HISTORY OF INDIAN LITERATURE IN ENGLISH.
It is being published in paperback for the first time.


CHOICE magazine of the USA chose the illustrated version as its OUTSTANDING ACADEMIC TITLE OF THE YEAR.

This is what the critics said
‘A delightful journey through Indian writing in English from its beginnings in the early nineteenth century to the boom in fiction we’re witnessing now.’ Padmini Mongia, Biblio

‘This is the best kind of history . . . it deserves a place on the bookshelves of anyone who has an inquiring mind.’ Nilanjana S. Roy, The Hindu

‘. . . an amazing volume . . . A rigorous book, with a brilliant introduction, this compendium joins K.R. Srinivas Iyengar’s legendary Indian Writing in English.’ P. Venkateswaran, Choice

‘A useful and detailed guide to a varied body of writing.’ Siddhartha Deb, Times Literary Supplement

Paperback / Rs 395 / 460pp / ISBN 81-7824-302-4 / Aug-Sep 2010 / South Asia Rights only / Copublished for the West by Palgrave Macmillan London

02 May 2010

EXTREME SCHOLARSHIP


Yigal Bronner
Extreme Poetry
The South Asian Movement of
Simultaneous Narration


Series: South Asia Across the Disciplines


Beginning in the sixth century CE and continuing for more than a thousand years, an extraordinary poetic practice was the trademark of a major literary movement in South Asia. Authors invented a special language to depict both the apparent and hidden sides of disguised or dual characters, and then used it to narrate India’s major epics, the Ramāyāṇa and the Mahābhārata, simultaneously.

Originally produced in Sanskrit, these dual narratives eventually worked their way into regional languages, especially Telugu and Tamil, and other artistic media, such as sculpture. Scholars have long dismissed simultaneous narration as a mere curiosity, if not a sign of cultural decline in medieval India. Yet Yigal Bronner’s Extreme Poetry effectively negates this position, proving that, far from being a meaningless pastime, this intricate, “bitextual” technique both transcended and reinvented Sanskrit literary expression.

The poems of simultaneous narration teased and estranged existing convention and showcased the interrelations between the tradition’s foundational texts. By focusing on these achievements and their reverberations through time, Bronner rewrites the history of Sanskrit literature and its aesthetic goals. He also expands on contemporary theories of intertextuality, which have been largely confined to Western texts and practices.

YIGAL BRONNER is an assistant professor in the Department of South Asian Languages and Civilizations at the University of Chicago. He is a Sanskritist trained at the Hebrew University in Jerusalem and at the University of Chicago. He researches Sanskrit poetics and South Asian intellectual history.

Hardback / 376pp / ISBN 81-7824-299-0 / Rs 750 / South Asia rights only / Copublished with Columbia University Press / July 2010

Praise for Extreme Poetry

“There is nothing else available in Indian studies or in literary studies
that is at all like this book. Extreme Poetry opens up a new field, and
new possibilities in existing fields. It treats a phenomenon in Sanskrit—
simultaneous narration—which everyone reading Indian literature has
encountered but which no one has been able to make much sense of in
intellectual terms. Specialists, students, and lovers of Indian literature
will find this book a revelation and a pleasure to read, from the first
page to the last. It is destined to become something of a classic.”
—C. Minkowski, University of Oxford

“There can be no doubt that this is an original and outstanding contribution
to the field of Sanskrit literary scholarship. Extreme Poetry is at
the highest level of Indological literary scholarship, and it is evident
that Yigal Bronner is deeply enamored with his subject. One of his chief
contributions is to ask us to look once again at the seriousness of the
aesthetic and emotive purposes with which this phenomenon has been
skillfully and effectively deployed by some of the most highly regarded
poets and playwrights of the Indian tradition. Bronner’s text will serve
as a much needed corrective to the dismissive stance taken by critics
toward an interesting and even astonishing literary technique. This
book shows it to be far more than mere verbal fireworks.”
—R. P. Goldman, University of California at Berkeley