EVERY YEAR THERE'S LESS AND LESS

WATERSCAPES edited by Amita Baviskar

The wars of the future are already here: wars over water. As a resource central to life and livelihood, water has always been at the centre of intense social action. Waterscapes uses the analytical framework of cultural politics to examine questions of power and inequality, conflicts and compromises around water. It reflects the growing recognition that managing water, as much as land and biomass, is going to be a critical challenge for future economic growth and ecological sustainability. It is a major contribution by anthropologists, historians, and sociologists, leading scholars in the field, who bring original ethnographic and archival research to bear on the cultural politics of a key natural resource.
hardback/ Rs 695/ 376 pages/ for sale worldwide

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THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay” brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f

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PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript

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