Tochter aus Elysium? ...

HEINRICH VON STIETENCRON
Ganga and Yamuna
River Goddesses and their Symbolism in Indian Temples

There are many books on the Ganga and Yamuna rivers, pictorial and celebratory. The present one is of a different kind. Professor von Stietencron investigates the temple sculptures of Ganga and Yamuna in order to unveil a whole cosmos of Hindu ritual and conceptual tradition. He shows how an entire worldview informs the planning and sculptural embellishment of such a temple—conceived of as the body of the deity enshrined in it.

Consequently this book is a historical study of the sculptures of the goddesses Ganga and Yamuna adorning the doorways of Indian temples, most recognizable from the Gupta period onwards. It examines how these gracious and purifying riverine deities have been conceived in human form. It discusses in detail the rich store of puranic myths and legends woven around these deities, tracing their Vedic roots and showing their evolution since then.

Translated from the German, this is a significant work of classical Indological scholarship. Drawing upon Sanskrit and various other sources, it provides major insights into the complex cultural history of Hindu religious traditions.

Heinrich von Stietencron has been Professor of Indology and Comparative History of Religion (1973–98) at the University of Tuebingen. He is a leading authority on the epics and the puranas, on temple symbolism and iconography, and on religious practice and social structure. He is chief editor of the annotated Epic and Puranic Bibliography (1992). He has devoted many years to field research in Orissa, documenting the many temples and studying the manuscript traditions of the region. His several books include Hindu Myth, Hindu History (Permanent Black, 2005). He was awarded the Padma Shree in 2004.

Hardback / 202pp / Rs 495 / ISBN 81-7824-285-0 / World rights / July 2010

Comments

THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay” brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in E...

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK FROM THE REVIEWS Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ﬀ ers is a wholly original account of the transformation to agrarian colonialism . . . Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarl...

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript...

Permanent Black

Search This Blog