Skip to main content

PAPERBACKING THE RENAISSANCE




THE BENGAL RENAISSANCE

Identity and Creativity from Rammohun Roy to Rabindranath Tagore

Subrata Dasgupta


Scholars have long debated the very idea of a ‘Bengal Renaissance’. Their controversies have dwelt almost entirely over whether there was anything like a ‘renaissance’ at all, and its significance or otherwise from social, political, and cultural perspectives.

This book addresses the issue from a very different framework. Subrata Dasgupta—an eminent scientist and author of a highly regarded intellectual biography of the scientist Jagadis Chandra Bose—approaches the topic from the perspective of philosophy of science and the psychology of creativity. His intention is to show that the phenomenon of the Bengal Renaissance is characterized by a certain collective cognitive identity, which had its roots in the work of the British Orientalists, beginning with William Jones, and which took form amidst a small but remarkable community of highly creative individuals in nineteenth-century Bengal.

The most notable figures in this creative community were the social reformer and savant Rammohun Roy; the poet Henry Derozio; the scholar-poet Michael Madhusudan Datta; the novelist Bankimchandra Chattopadhyay; pioneering scientists and medical men such as Mahendra Lal Sircar, Jagadis Chandra Bose, and Prafulla Chandra Ray; the mystic Sri Ramakrishna, the pedagogue Swami Vivekananda; and the all-encompassing literary figure Rabindranath Tagore. The core work of each of these major figures is outlined for its distinctive style, analysed for its contribution to an intellectual milieu, and assessed for its effect on cultural life.

Written in completely accessible and elegant English, this is a work for general readers. Those unfamiliar with the basics of the Bengal Renaissance will find it an excellent introduction to the area; scholars familiar with the area will find this perspective on cultural history from the perspective of science and psychology quite novel, unusual, and compelling.

SUBRATA DASGUPTA is the Computer Science Trust Fund Endowed Eminent Scholar, and Director of the Institute of Cognitive Science, at the University of Louisiana at Lafayette, where he is also Professor of History. He is the author of several books, including Jagadis Chandra Bose and the Indian Response to Western Science (Permanent Black paperback, 2009), and a boyhood memoir, Salaam Stanley Matthews (Granta Books, 2006).

World rights / ISBN 81-7824-279-6 / 286pp / Rs 295

Comments

Popular posts from this blog

THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay”   brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose  did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra   • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK       FROM THE REVIEWS   Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ff ers is a wholly original account of the transformation to agrarian colonialism . . .   Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarly output, limited to sev

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript