Douglas E. Haynes
“Not only does Guha possess a mastery of a staggering diversity of historical practices in South Asia, his analysis extends to a thoughtful discussion of (and argument about) the origins and development of European history writing” William R. Pinch
“Guha charts the rise of historical memory in South Asia in a way that moves past literary affect or philosophical predisposition, refusing to reduce his subject to a reconfiguration of Western historiography even while he traces parallels in colonial institutions. Instead, Guha engages everything from family lineages and modes of accounting, to grand memorial narratives of the rise and fall of dynasties, to give us a comprehensive study of how social memory, wedded to evidence-based reasoning, transformed into the historical arts of South Asia, and finally how history matters even now in a ‘post-truth’ age” Christian Novetzke
He presents memory as the result of both remembering and forgetting and of the preservation, recovery, and decay of records. By describing how these processes work through sociopolitical organizations, Guha delineates the historiographic legacy acquired by the British in colonial India; the creation of the centralized educational system and mass production of textbooks that led to the unification of historical discourses under colonial auspices; and the divergence of these discourses in the twentieth century under the impact of nationalism and decolonization.
Guha brings together sources from a range of languages and regions to provide the first intellectual history of the ways in which socially recognized historical memory has been made across the subcontinent. This thoughtful study contributes to debates beyond the field of history that complicate the understanding of objectivity and documentation in a seemingly post-truth world.