Skip to main content

INDIAN MIGRATION AND EMPIRE

How did states come to monopolize control over migration? What do the processes that produced this monopoly tell us about the modern state? 

"Mongia has written a pathbreaking book. In the wake of this work it will no longer be possible to tell the story of border-making without a scrutiny of how human labor was dehumanized on an imperial and global scale" H-net


"Mongia’s book is a methodological tour de force in migration studies and theories of the state. But the commendable feat of this book is that these accomplishments do not stand apart – her contribution to migration studies is enriched by the careful theorising of states, at once colonial, transcolonial and metropolitan" Wire

"Mongia’s account is a fresh, fascinating explanation of the intricacies of migration and its impact on host-countries, nation-state and bureaucratic development, and at the heart of it all, the emigrant" International Social Science Review

It is also reviewed in the Journal of International and Global Studies and in Economic and Political Weekly


In Indian Migration and Empire Radhika Mongia provocatively argues that the formation of colonial migration regulations was dependent upon, accompanied by, and generative of profound changes in normative conceptions of the modern state.
Focused on state regulation of colonial Indian migration between 1834 and 1917, Mongia illuminates the genesis of central techniques of migration control. She shows how important elements of current migration regimes, including the notion of state sovereignty as embodying the authority to control migration, the distinction between free and forced migration, the emergence of passports, the formation of migration bureaucracies, and the incorporation of kinship relations into migration logics, are the product of complex debates that attended colonial migrations. By charting how state control of migration was critical to the transformation of a world dominated by empire-states into a world dominated by nation-states, Mongia challenges positions that posit a stark distinction between the colonial state and the modern state to trace aspects of their entanglements.

RADHIKA MONGIA is Associate Professor of Sociology and faculty in the Graduate Programs of Sociology, Political Science, Gender, Feminist and Women’s Studies, and Social and Political Thought at York University, Toronto.


Indian Migration and Empire is a highly original, compelling, and superbly crafted work that thoroughly reveals the racialized foundations of the modern state. Given the contemporary debates about the relationship between migration, the state, and race—whether in relation to Europe’s refugee crisis or the exclusionary immigration politics of Donald Trump's America—this book could not be more relevant or timely”
SRIRUPA ROY
Professor of State and Democracy, University of Göttingen

“Scholars have long claimed that modernity’s signature—the nation-state—is the consequence of imperial power. In this sweeping history of the territoriality of the western state system, Radhika Mongia offers new analytical paradigms for understanding the relationship between national sovereignty and colonial labor. A corrective to facile transnational arguments and a rigorous case for the management of migration as the genealogical heart of modern western state formation, Indian Migration and Empire roots modern European state practices in mobile bodies and the regulatory regimes they provoked”
ANTOINETTE BURTON
Catherine C. and Bruce A. Bastian Professor of Global
and Transnational Studies, University of Illinois at Urbana-Champaign

HB| Rs 695

Comments

Popular posts from this blog

THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay”   brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose  did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra   • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in E...

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK       FROM THE REVIEWS   Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ff ers is a wholly original account of the transformation to agrarian colonialism . . .   Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarl...

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript...