Permanent Black

The Making of Modern Urdu Literary Culture in Colonial South Asia In late-nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn

The Indian Beginnings of a European Genre edited by Baidik Bhattacharya & Sambudha Sen This volume looks at the early Indian novel in a comparative frame, in the light of new conceptual approaches and research. It looks at novels written in various Indian languages as well as English. This is not a chronological or comprehensive history of the Indian novel, but a book about the connections between the novel in India as an emerging genre in relation to discourses such as political writing, visual culture, popular print genres, law and ethnography. A wide-ranging examination of the early Indian novel of the kind to be found here has not been attempted before. This volume breaks new ground in the scholarship on the novel both in India and Europe. It will contribute to discussions on cultural modernity, the emergence of public spheres, and the history of expressive resources and literary languages in modern India. Baidik Bhattacharya is Assistant Professor of English at the Uni