Permanent Black

The Making of Modern Urdu Literary Culture in Colonial South Asia In late-nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn

The Indian Beginnings of a European Genre edited by Baidik Bhattacharya & Sambudha Sen This volume looks at the early Indian novel in a comparative frame, in the light of new conceptual approaches and research. It looks at novels written in various Indian languages as well as English. This is not a chronological or comprehensive history of the Indian novel, but a book about the connections between the novel in India as an emerging genre in relation to discourses such as political writing, visual culture, popular print genres, law and ethnography. A wide-ranging examination of the early Indian novel of the kind to be found here has not been attempted before. This volume breaks new ground in the scholarship on the novel both in India and Europe. It will contribute to discussions on cultural modernity, the emergence of public spheres, and the history of expressive resources and literary languages in modern India. Baidik Bhattacharya is Assistant Professor of English at the Uni

This book locates essential aspects of the material, mental, and spiritual world of western Himalayan peasant society. In this large and difficult region, human enterprise and mountainous terrain long existed in a precarious balance. Natural adversity occasionally disrupted this balance. Small peasant communities lived here in scattered environmental niches and tenaciously extracted from their harsh surroundings a rudimentary but sustainable livelihood. Family organisation, social custom, and religious practices were adapted to their purposes. The communities were integral constituents of larger political institutions, the state being one such. This laboriously created life-world was enlivened by myth, folklore, legend, and religious tradition. When colonial rule was established in the region during the eighteenth century, it transformed the peasant’s relationship with his natural surroundings. Old political allegiances were weakened. Yet, resilient customary hierarchies re

Remembering Ravi Dayal (1937–2006) Rukun Advani Had he been alive, Ravi Dayal would have turned seventy on 6 th September 2007. Keeping in mind Mark Antony’s opinion—‘the evil that men do lives after them, the good is oft interr’ed with their bones’—as well as the fact that good books live a long time whereas their publishers are soon forgotten, it seems worthwhile to briefly recall the most significant figure in Indian publishing after Independence. The first thing that struck anyone on meeting Dayal was how articulate he was, and the polish with which he spoke. Dayal’s articulation and polish were aspects of his charisma, and both were central to the attractiveness of his aristocratic personality. When hearing him speak I felt extremely envious, because his mind seemed a reservoir of perfectly formed sentences that he could summon at will. This made his diffidence as a public speaker seem quite odd, but I think the reason he disliked such occasions was that, lik

Namdev is a central figure in the cultural history of India, especially within the field of bhakti, a devotional practice that has created publics of memory around the figure of Namdev for over eight centuries. Born in the Marathi-speaking region of the Deccan in the late thirteenth century, Namdev is remembered as a simple, low-caste Hindu tailor whose innovative performances of devotional songs spread his fame widely. In the modern period, Namdev appears throughout the public spheres of Marathi and Hindi and in India at large, where his identity fluctuates between regional associations and a quiet, pan-Indian, nationalist-secularist profile that champions the poor, oppressed, marginalized, and low caste. Christian Lee Novetzke considers the way social memory coheres around the figure of Namdev from the sixteenth century to the present, examining the practices that situate Namdev’s memory in multiple historical publics. He vividly illustrates how religious communities in India pres

By the Author of The Imaginary Institution of India The Trajectories of the Indian State The Enchantment of Democracy and India Sudipta Kaviraj has long been internationally recognized as a political analyst and thinker. In this book he shows that he is also one of the most acute writers on the interconnections of literature and politics. The essays here lie at the intersection of three disciplines: the study of literature, social theory, and intellectual history. Kaviraj argues that serious reflections on modernity’s predicaments and bafflements lie in literature. Modernity introduced new literary forms—such as the novel and the autobiography—to Indian writers. These became reflections on the nature of modernity. Some of the questions central to modern European social theory also grew into significant themes within Indian literary reflection. What was the nature of the self—did modernity alter this nature? What was the character of power under conditions of modern history? How i

THIS IS A BOOK FOR ANYONE WHO ENJOYS GOOD FOOD: THE COOKING OF IT, THE EATING OF IT, THE SHARING OF IT. Some of these recipes have fed and delighted Jawaharlal Nehru and Sarojini Naidu. All of them have provided nourishment and comfort to generations of Bengali families. Now for the first time, these time-tested recipes are available in English. Renuka Devi Choudhurani (1910–1985) was married off at the age of ten into a zamindari family. That was when her culinary education began, mainly from her father-in-law, but also from itinerant bawarchis and specialist cooks. As her interest in good food developed, she took to collecting and recording recipes. Ultimately, she published a two-volume Bengali work containing about 400 vegetarian and 300 fish- and meat-based recipes. From the simplest dal to the most elaborate biryani, her recipes are easy to follow, and produce delicious results. This book contains a wide-ranging selection from the original Bengali work. It cov

This book shows how Indian cinema’s many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in the twenty-first. Mahadevan proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, he digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to provide an understanding of how the cinema came to be such a dominant cultural force in India. The result is an innovative account of Indian cinema’s “many origins.” “a rich study of a wide array of primary materials and an important intervention about how we might try to imagine writing the many histories of cinema . . . provides us with new lenses throu

When the Bharatiya Janata Party came to power in 2014, the apprehension in academic publishers' minds that sales of liberal and Left books might suffer was offset by the assumption that the economy would flourish and keep them happy. Also, since no one in the new regime was likely to be interested in looking at anything written too long after the Vedas and the Golden Age of Sanskrit, there did not seem much cause for worry. In any case, the Congress had never failed to cave in when the crunch came to choosing between freedom of expression and mob violence, so the general situation seemed well described by the French cynicism of plus ça change, plus c'est la même chose . But what did create chaos for publishers, as much as for everyone else, was demonetization. Once people decide against buying everything seen as inessential, roughly the first thing they stop buying in India is books. With sales plummeting, most publishers and booksellers in the business