Skip to main content

THE CASE THAT SHOOK A COUNTRY


In 1921 a travelling sadhu appeared by a river bund in Dacca. He was there every day. Soon, people began to identify him as none other than the Second Kumar of Bhawal, a young zamindar who had died twelve years earlier.

His wife denounced him as an impostor. His sisters welcomed him back. This resulted in one of the most extraordinary legal cases in Indian history: it held the entire country’s attention for several decades as it unwound in courts from Dacca and Calcutta to London.

This is possibly the most riveting work of history ever written in the Indian subcontinent. Ever since it first appeared, Partha Chatterjee’s A Princely Impostor? (2002), a telling of the notorious “Bhawal Sannyasi Case”—among India’s best-known legal disputes—has been recognized as world-class narrative history in a league of its own. 


Chatterjee has written a book as spell-binding as any great Victorian or Russian novel, a story replete with courtroom drama, sexual debauchery, family intrigue, and squandered wealth. Intended for the general reader, Dead Man Wandering is a shortened version of A Princely Impostor. It provides the story without the notes, references, and scholarly digressions of the original.
 
Partha Chatterjee is professor of anthropology and of Middle Eastern, South Asian, and African Studies at Columbia University; and honorary professor at the Centre for Studies in Social Sciences, Calcutta. His books include The Politics of the Governed and Lineages of Political Society.


Paperback/ Rs 495/ BUY

Comments

Popular posts from this blog

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK       FROM THE REVIEWS   Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ff ers is a wholly original account of the transformation to agrarian colonialism . . .   Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarl...

Romila Thapar remembers an old friend

A few weeks before he passed away, Eric Hobsbawm   and his wife invited Romila Thapar to the historian’s 95 th birthday party in London. John Williams played the guitar. The gathered companions drank to the great man’s health. He was convivial and had all his wits about him—as seems evident in the pictures below. A century seemed possible ... In her obituary below, Romila Thapar recounts what Hobsbawm’s work meant to her, and its intellectual legacy more broadly.        REMEMBERING ERIC HOBSBAWM             Romila Thapar Eric Hobsbawm was the kind of historian whose work, although largely on the last three centuries of European history, was relevant even to those of us who work on a different space and time. The process of historical investigation for him was not restricted to a narrow engagement with a specific subject, but with having to situate it in an extensive ...

The Unfamiliarity of the Past

Joya Chatterji's most recent book is PARTITION’S LEGACIES . It was published by Permanent Black in June 2019.  In this wide-ranging conversation about her books and her career as a teacher, she begins with talking about what drew her to history in the first place. She answers questions put to her by Uttara Shahani (a research scholar at Cambridge University) and Sohini Chattopadhyay (a history researcher at Columbia University) 1. Why did you become a historian? Let’s start at the very beginning . . . . . . A very good place to start. But before I launch into my answer, I want to thank you both for such excellent questions. They all force (or encourage) me to reflect on a lifetime of work. From a personal standpoint, this is a great moment for me to think backwards and ask myself: what did it all add up to? So I am grateful for your critical but generous-spirited questions. Why History? Why indeed. My relationship with the subject is best likened to a love affair. I was introduce...