THE CASE THAT SHOOK A COUNTRY

In 1921 a travelling sadhu appeared by a river bund in Dacca. He was there every day. Soon, people began to identify him as none other than the Second Kumar of Bhawal, a young zamindar who had died twelve years earlier.

His wife denounced him as an impostor. His sisters welcomed him back. This resulted in one of the most extraordinary legal cases in Indian history: it held the entire country’s attention for several decades as it unwound in courts from Dacca and Calcutta to London.

This is possibly the most riveting work of history ever written in the Indian subcontinent. Ever since it first appeared, Partha Chatterjee’s A Princely Impostor? (2002), a telling of the notorious “Bhawal Sannyasi Case”—among India’s best-known legal disputes—has been recognized as world-class narrative history in a league of its own.

Chatterjee has written a book as spell-binding as any great Victorian or Russian novel, a story replete with courtroom drama, sexual debauchery, family intrigue, and squandered wealth. Intended for the general reader, Dead Man Wandering is a shortened version of A Princely Impostor. It provides the story without the notes, references, and scholarly digressions of the original.

Partha Chatterjee is professor of anthropology and of Middle Eastern, South Asian, and African Studies at Columbia University; and honorary professor at the Centre for Studies in Social Sciences, Calcutta. His books include The Politics of the Governed and Lineages of Political Society.

Paperback/ Rs 495/ BUY

Comments

THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay” brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in E...

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK FROM THE REVIEWS Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ﬀ ers is a wholly original account of the transformation to agrarian colonialism . . . Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarl...

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript...

Permanent Black

Search This Blog