Skip to main content

Kosambi: The Third Generation


Meera Kosambi
editor and translator


Women Writing Gender
Marathi Fiction Before Independence


Most modern literatures were initially dominated by men who claimed, at times, to speak for women. But when given an opportunity, women spoke differently.

This book tells the several stories of how Maharashtrian women found a ‘voice’ in the late nineteenth century. It shows how they created a literary space for themselves, deploying fiction to depict worlds other than those available in male writing, as well as dreams and aspirations unseen in society before they were articulated by their fiction. Having been excluded from mainstream prose, women also created a parallel reform discourse which displayed various shades of feminism.

After an introductory overview of men and women writers of Marathi fiction before Independence, this book presents in translation the work of six iconic women writers: Kashibai Kanitkar, Indirabai Sahasrabuddhe, Vibhavari Shirurkar, Geeta Sane, Shakuntala Paranjpye, and Prema Kantak. Their novels and short stories unfold the journeys of articulate women towards new paradigms, and ultimately towards a demand for gender equality—which is women’s gift to Marathi literature.

MEERA KOSAMBI is a sociologist trained in India, Sweden, and the US. She has specialized in Urban Studies and Women’s Studies. She was Professor and Director of the Research Centre for Women’s Studies at the SNDT Women’s University in Mumbai. She has taught, lectured, and published widely in India and abroad. Her books include Returning the American Gaze: Pandita Ramabai’s ‘The Peoples of the United States’ (1889) (2003), Crossing Thresholds: Feminist Essays in Social History (2007), and Feminist Vision or ‘Treason against Men’? Kashibai Kanitkar and the Engendering of Marathi Literature (2008).

Hardback / 386pp / Rs 795 / ISBN 81-7824-336-9 / World rights / May 2012

Comments

Popular posts from this blog

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK       FROM THE REVIEWS   Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ff ers is a wholly original account of the transformation to agrarian colonialism . . .   Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarl...

Romila Thapar remembers an old friend

A few weeks before he passed away, Eric Hobsbawm   and his wife invited Romila Thapar to the historian’s 95 th birthday party in London. John Williams played the guitar. The gathered companions drank to the great man’s health. He was convivial and had all his wits about him—as seems evident in the pictures below. A century seemed possible ... In her obituary below, Romila Thapar recounts what Hobsbawm’s work meant to her, and its intellectual legacy more broadly.        REMEMBERING ERIC HOBSBAWM             Romila Thapar Eric Hobsbawm was the kind of historian whose work, although largely on the last three centuries of European history, was relevant even to those of us who work on a different space and time. The process of historical investigation for him was not restricted to a narrow engagement with a specific subject, but with having to situate it in an extensive ...

The Unfamiliarity of the Past

Joya Chatterji's most recent book is PARTITION’S LEGACIES . It was published by Permanent Black in June 2019.  In this wide-ranging conversation about her books and her career as a teacher, she begins with talking about what drew her to history in the first place. She answers questions put to her by Uttara Shahani (a research scholar at Cambridge University) and Sohini Chattopadhyay (a history researcher at Columbia University) 1. Why did you become a historian? Let’s start at the very beginning . . . . . . A very good place to start. But before I launch into my answer, I want to thank you both for such excellent questions. They all force (or encourage) me to reflect on a lifetime of work. From a personal standpoint, this is a great moment for me to think backwards and ask myself: what did it all add up to? So I am grateful for your critical but generous-spirited questions. Why History? Why indeed. My relationship with the subject is best likened to a love affair. I was introduce...