Classic Monograph on India's first great Dalit icon

ROSALIND O’HANLON

Caste, Conflict, and Ideology

Mahatma Jotirao Phule and Low Caste Protest in Nineteenth-Century Western India

This is the first Indian reprint, with a new preface by the author, of a classic work which was first published in 1985.

The nineteenth century saw the beginning of a violent and controversial movement of protest amongst western India’s low and untouchable castes, aimed at the effects of their lowly position within the Hindu caste hierarchy. The leaders of this movement were convinced that religious hierarchies had combined with the effects of British colonial rule to produce inequality and injustice in many fields, from religion to politics and education.

This study concentrates on the first leader of this movement, Mahatma Jotirao Phule. It shows him as its first ideologist, working out a unique brand of radical humanism. It analyses his contribution to one of the most important and neglected social developments in western India in this period—the formation of a new regional identity.

This process of identity formation is studied against the background of the earlier history of caste relations, and contributes important evidence about the relationship between ritual status and political power. The author draws extensively on vernacular language materials and evidence about popular culture from oral traditions.

ROSALIND O’HANLON is Professor of Indian History and Culture in the Faculty of Oriental Studies, University of Oxford. Her publications include A Comparison Between Women and Men: Tarabai Shinde and the Critique of Gender Relations in Colonial India, and numerous articles on the social history of colonial and early modern India.

FOR SALE ONLY IN SOUTH ASIA
PAPERBACK / 346PP / RS 395 / ISBN 81-7824-313-X / SOUTH ASIA RIGHTS ONLY / December 2010

Comments

THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay” brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK FROM THE REVIEWS Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ﬀ ers is a wholly original account of the transformation to agrarian colonialism . . . Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarly output, limited to sev

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript

Permanent Black

Search This Blog