Permanent Black

Joya Chatterji's most recent book is PARTITION’S LEGACIES . It was published by Permanent Black in June 2019.  In this wide-ranging conversation about her books and her career as a teacher, she begins with talking about what drew her to history in the first place. She answers questions put to her by Uttara Shahani (a research scholar at Cambridge University) and Sohini Chattopadhyay (a history researcher at Columbia University) 1. Why did you become a historian? Let’s start at the very beginning . . . . . . A very good place to start. But before I launch into my answer, I want to thank you both for such excellent questions. They all force (or encourage) me to reflect on a lifetime of work. From a personal standpoint, this is a great moment for me to think backwards and ask myself: what did it all add up to? So I am grateful for your critical but generous-spirited questions. Why History? Why indeed. My relationship with the subject is best likened to a love affair. I was introduce

 When two young women are hired to carry out conservation research, they discover that India is a large jungle – larger than they ever imagined. Their study of trees reveals a complex world in which the greatest threat to pangolins and imperilled species is Indian men and patriarchy.  Tramping across North India, the women encounter men, man-made obstacles, and bureaucratic corruption, but forge ahead with satire and self-deprecating humour. Their many stories give us the voices of people and species oppressed or marginalised. Several anecdotes show daily battles against research methods and policies that bury lived life in dry data. Environmental research is more about lives and livelihoods than data, says Aditi Patil. She makes us feel the pulse of life hidden by statistics. Women farmers, forest dwellers, rustics, and researchers come exquisitely alive in this entertaining and persuasive book. “a great mix of humour and reflective seriousness.” NAYANJOT LAHIRI “Under the cover of ir

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay”   brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose  did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra   • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f