Permanent Black

Traditional Indian panditya (scholarship) has a long and distinguished history, but is now practically extinct. Its decline is remarkably recent — traditional panditya flourished as recently as 150 years ago. The decline is also paradoxical, having occurred precipitously following a broad and remarkable flowering of the tradition between the fifteenth and eighteenth centuries. The important questions this decline poses are the subject of much ongoing work. The intellectual history of the period is still under construction, and the present book represents a major contribution to the edifice. A notable impediment has been the lack of critical biographies of significant thinkers in this tradition. The importance of personal and social context for reconstructing intellectual histories is widely understood. In the classical Indian intellectual tradition, however, authors systematically exclude such context, making intellectual biography something of a rarity — very rare in English and s

“A model of how social history stands to gain from a fuller use of legal sources.” C. S. Adcock, American Historical Review “An invaluable contribution…arguably the most important work to date in [Parsi studies].”  Simin Patel, Law and History Review “ … formidably intricate story of legal change … the author has achieved something remarkable. A community and its laws are explained.” Raymond Cocks, Journal of Legal History Winner of the 2015 J. Willard Hurst Award for best book in socio-legal history, Law and Society Association LAW AND IDENTITY IN COLONIAL SOUTH ASIA Parsi Legal Culture • 1772–1947 by MITRA SHARAFI This book explores the legal culture of the Parsis, or Zoroastrians, an ethnoreligious community unusually invested in the colonial legal system of British India and Burma. Rather than trying to maintain collective autonomy and integrity by avoiding interaction with the state, the Parsis sank deep into the colonial legal system itself. From the

EDITOR AND TRANSLATOR: SHELDON POLLOCK From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation.      This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before.      The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each tex

Hindi noir meets the banalities of everyday life in the police barracks and tea shops of Uttar Pradesh Policing as a global form is often fraught with excessive violence, corruption, and even criminalization. These sorts of problems are especially omnipresent in postcolonial nations such as India, where Beatrice Jauregui has spent several years studying the day-to-day lives of police officers in its most populous state, Uttar Pradesh. In this book, she offers an empirically rich and theoretically innovative look at the great puzzle of police authority in contemporary India and its relationship to social order, democratic governance, and security. Jauregui explores the paradoxical demands placed on Indian police, who are at once routinely charged with abuses of authority at the same time that they are asked to extend that authority into any number of both official and unofficial tasks. Her ethnography of their everyday life and work demonstrates that p