Permanent Black

This month, PERMANENT BLACK is publishing Jayeeta Sharma's long awaited monograph on Assam, Empire's Garden .  To coincide with its publication, we requested Professor Sumit Sarkar to ask his former student a few key questions about her book and professional interests. Their conversation is given below. SUMIT SARKAR: How far was your choice of Assam as research area conditioned by your affiliation to the place? Apart from the personal involvement, what else shaped your choice of Assam and its plantations -- especially as you are not a tea drinker yourself, if I remember correctly. JAYEETA SHARMA: As a young bookworm in Guwahati, I read all the history books that I could find, whether Gibbons or Gait. But I couldn’t stand the dates-and-events history the provincial Assam Board forced on students. Then I learnt that at Delhi University I could study social, cultural, and economic history. The next few years were a revelation, especially in my MA courses

Amiya P. Sen, editor Bankim’s Hinduism An Anthology of Writings by Bankim Chandra Chattopadhyay The great novelist and thinker Bankim Chandra Chattopadhyay (1838–94), associated with his famous hymn ‘Vande Mataram’, is sometimes seen as mainly a creator of Hindu nationalist icons. This is unfortunate, for Bankim was an enormously learned man, a deep and subtle thinker. A relatively unknown side of his work comprises his religious and philosophical thought, in particular his carefully argued ideas on Hinduism. This collection of Bankim’s writings—many translated into English for the first time and excerpted from the author’s Complete Works in the Bengali original—brings out some of the inner anxieties and ambivalence within the novelist-intellectual’s work on religion, ethics, and philosophy. By reading this book one may detect in Bankim a rational-functionalist approach to religion, as also a deepening faith and piety transcending that intellectual perspective. Bankim ant

Empire’s Garden Assam and the Making of India Jayeeta Sharma In the mid-nineteenth century the British created a landscape of tea plantations in the north-eastern Indian region of Assam. The tea industry filled imperial coffers and gave the colonial state a chance to transform a jungle-laden frontier into a cultivated system of plantations. Claiming that local peasants were indolent, the British soon began importing indentured labour from central India. In the twentieth century these migrants were joined by others who came voluntarily to seek their livelihoods. In Empire’s Garden , Jayeeta Sharma explains how the settlement of more than one million migrants in Assam irrevocably changed the region’s social landscape. She argues that the racialized construction of the tea labourer catalyzed a process by which Assam’s gentry sought to insert their homeland into an imagined Indo-Aryan community and a modern Indian political space. Various linguistic and racial claims allowed these