Skip to main content

SALAAM BOMBAY CINEMA


BOMBAY CINEMA: AN ARCHIVE OF THE CITY by Ranjani Mazumdar

"Mazumdar's experience as a filmmaker allowed her to offer significant readings of not just the narratives and character development in the films, but of the cinematography, mise-en-scene, and other technical and performance aspects of production. As scholar and filmmaker, Ranjani Mazumdar effectively combined her two disciplines in the book, which is accessible and useful to scholars of South Asia and film." Journal of Popular Culture

“This is not simply a book about how Bombay movies have re-presented the ambivalent site of the city in post-Independence India. More profoundly, Mazumdar is giving us an alternative history of Indian modernity, a history in which 'the urban experience' only comes fully into focus through the sensuous mediation of the popular cinema.” Visual Anthropology Review

“Mazumdar has a great capacity to discuss Indian cinema, with a brilliant grasp of its political, historical and aesthetic developments, but equally she is well attuned to the interests and ruptures in the academic discourse of film and cinema studies.” Film International

“Mazumdar develops her work thoroughly and consistently, such that contemporary Bombay cinema is easily accessible to the general reader and the academic scholar alike ... takes us through the cinematic city as character, as spectacle, as spatial dynamic, as performative motor and above all as an invaluable archive of urban experience in contemporary India.” The Book Review

"Departing from the obsession that Film Studies in India has displayed with the idea of cinema as a national allegory, the book convincingly argues for the need to examine the city's hidden archive as one that cannot be subsumed within the sign of the national." Biblio

“...an exciting and important contribution to a field that has, to date, been under researched and under theorized. Lively, provocative and richly suggestive, it will also serve as a surefire incentive to watch those films all over again”
Screen

"...at once about Hindi films, spatial practices, urban modernity and globalization...the strength of the book lies in bringing all of them together in a productive conversation.”
Economic and Political Weekly


“Here, at last, is a book [that] walks the streets where the films are set, looks at shop windows, publicity material, costumes, fashion, architecture, telecommunications and the concrete materiality that surrounds the film object.”
Seminar

“This is a fascinating book about the city of Bombay (now Mumbai) and its place and role in Indian cinema. Ranjani Mazumdar has provided us with a lucid picture of the city and its relationship with cinema ... a much needed contribution in understanding the role of Hindi films in the cinematic city. The book also challenges the idealisation of the Indian village as constructed by the Indian nationalist movement.” Information, Society, and Justice

"... a landmark study - carefully researched, well organized and offering refreshingly uncondescending and strikingly insightful discussions of mainstream films - that deserves to be read by anyone interested in India's popular cinema or its contemporary urban life." Journal of Asian Studies


Published August 2007 / hardback / 296PP / Rs 595 / ISBN 81-7824-205-2 / South Asia rights / Copublished by the University of Minnesota Press

Comments

Popular posts from this blog

The Unfamiliarity of the Past

Joya Chatterji's most recent book is PARTITION’S LEGACIES . It was published by Permanent Black in June 2019.  In this wide-ranging conversation about her books and her career as a teacher, she begins with talking about what drew her to history in the first place. She answers questions put to her by Uttara Shahani (a research scholar at Cambridge University) and Sohini Chattopadhyay (a history researcher at Columbia University) 1. Why did you become a historian? Let’s start at the very beginning . . . . . . A very good place to start. But before I launch into my answer, I want to thank you both for such excellent questions. They all force (or encourage) me to reflect on a lifetime of work. From a personal standpoint, this is a great moment for me to think backwards and ask myself: what did it all add up to? So I am grateful for your critical but generous-spirited questions. Why History? Why indeed. My relationship with the subject is best likened to a love affair. I was introduce...

Romila Thapar remembers an old friend

A few weeks before he passed away, Eric Hobsbawm   and his wife invited Romila Thapar to the historian’s 95 th birthday party in London. John Williams played the guitar. The gathered companions drank to the great man’s health. He was convivial and had all his wits about him—as seems evident in the pictures below. A century seemed possible ... In her obituary below, Romila Thapar recounts what Hobsbawm’s work meant to her, and its intellectual legacy more broadly.        REMEMBERING ERIC HOBSBAWM             Romila Thapar Eric Hobsbawm was the kind of historian whose work, although largely on the last three centuries of European history, was relevant even to those of us who work on a different space and time. The process of historical investigation for him was not restricted to a narrow engagement with a specific subject, but with having to situate it in an extensive ...

UNSETTLING THE PAST: D.D. KOSAMBI AND ROMILA THAPAR

In the Permanent Black pipeline for next year (2013) are two wonderfully interesting books by two great historians of ancient India, D.D. Kosambi and Romila Thapar. Romila Thapar toasting Eric Hobsbawm at his 95th birthday celebration in London, July 2012 The book by Kosambi (actually, two parts of it are by him and one part is on him) is called UNSETTLING THE PAST.   The book by Thapar is called THE PAST BEFORE US. UNSETTLING THE PAST Unknown Aspects and Scholarly Assessments of D.D. Kosambi The Kosambi book is a collection of obscure and pretty unknown writings by D.D. Kosambi alongside assessments of his contribution to various areas of scholarship -- ancient history, mathematics, Sanskrit literature, numismatics, and marxism as a method for understanding the past. An array of the great man's unpublished letters, unearthed from the Harvard and TIFR archives by his daughter Meera Kosambi, will comprise one section of the book. Kosambi's corresponden...