The Press on the Roof of the World

Somewhere in these mountains is the only independent press situated on the roof of the world.

It will turn twenty next year.

To mark the end of our teens, we've instituted a prize. The Kosambi Memorial Book Prize will be given annually to the best student in ancient Indian history at Ashoka University, Haryana. The first prize was awarded on 13th November 2019 to Revanth Ukkalam and Haritha Govind of Ashoka University's Class of 2020.

Haritha Govind with Mahesh Rangarajan

Revanth Ukkalam with Mahesh Rangarajan, Nayanjot Lahiri, and Pratyay Nath

The prize also marks our extensive co-publication programme with Ashoka University in the series Hedgehog and Fox, edited by Rudrangshu Mukherjee. Over 75 titles have been published in this series in the five years since it came into existence.

As every year here at Permanent Black we proved that you don't have to add to the world's carbon footprint to publish internationally. We did not fly to bookfairs in Frankfurt or London but our books went places.

Some exciting literary reading included Joan Salés Uncertain Glory, published under license from Maclehose Press, UK; Neelesh Raghuvanshi's Girl with Questioning Eyes, the translation of a novel that has been described as 'Hindi fiction's most moving portrayal of small-town India' and iconoclastic poet and translator Arvind Krishna Mehrotra's Translating the Indian Past.

We also brought back into print Ramchandra Gandhi's "unusual and genuinely original book . . . on the basic problem of our existence as persons in community"

Our last book of the year was the final one of M.S.S. Pandian's brief, brilliant life:

As always we are grateful to our readers, to the community of scholars and students who look out for our books and a few who read them with an eagle eye and get back to us with typographical errors. Our typesetter Guru Typographics runs a small, sturdy, independent ship as do our printers, Sapra Brothers. We thank them, as well as our main proof-reader Shyama Warner, and Orient Blackswan, wonderful publishers who have supported us right from the start by distributing our books.

Most of all, none of these books would have reached you without the help and supervision of our core management team, comprising Barauni Junction (left), Piku (centre), and Sodamini a.k.a. Soda (right), which is responsible for the division of labour and resources.

We wish everyone a kinder, calmer year
than this one has been.

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THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay” brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK FROM THE REVIEWS Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ﬀ ers is a wholly original account of the transformation to agrarian colonialism . . . Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarly output, limited to sev

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript

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