Skip to main content

MODERN TIMES


Much has changed in the world of South Asian history-writing since Sumit Sarkar’s renowned classic, Modern India (1983). “The passage of thirty years having rendered that work thoroughly dated, the futility of any attempt to revise it became increasingly clear to me, especially as over this period my own historical perspectives took new and unexpected directions”, says the author. The present work is an entirely fresh view of the same period.

Focusing on three huge areas — Economy, Environment, and Culture — Professor Sarkar offers his magisterial perspective on these.

Scientific discourses, laws, forest administration, peasants and adivasis, irrigation, and conflicts over land-use are examined, as are agrarian relations, commercialization, indebtedness, and famine. Trade, finance, and industry are other major focus areas.

Modern urban India is scrutinized via the literature on its big cities. Sociabilities, caste configurations, and public culture (theatre, cinema, and sports) are discussed, as are literature, dance, music, and painting.

In conclusion, says Professor Sarkar, “I have within each chapter incorporated the relevant historiographical developments, changes, and debates. Separate bibliographical sections will I hope facilitate the work of teachers and students.”

After Professor Sarkar's serious illness nobody had imagined he would be able to complete this monumental work. What went into the writing of it could make another book. The first copies were presented to him over a ceremonial dosa and a cup of tea -- that is the way he wanted it.

Tanika Sarkar (left) and Sumit Sarkar examining the first copy of MODERN TIMES. (photo by anuradha roy)

SUMIT SARKAR is among the most influential and widely admired historians of modern India. His several books include The Swadeshi Movement in Bengal, Modern India 1885–1947, Writing Social History, and Beyond Nationalist Frames. Following a distinguished teaching career, he retired as Professor of History, Delhi University. He lives in New Delhi and is working on his next book.



PAPERBACK| Rs 595|456 pp| world rights|BUY

Comments

Popular posts from this blog

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK       FROM THE REVIEWS   Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ff ers is a wholly original account of the transformation to agrarian colonialism . . .   Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarly output, limited to sev

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript

THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay”   brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose  did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra   • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f