Skip to main content

On the Cup that Cheers


Empire’s Garden
Assam and the Making of India

Jayeeta Sharma

In the mid-nineteenth century the British created a landscape of tea plantations in the north-eastern Indian region of Assam. The tea industry filled imperial coffers and gave the colonial state a chance to transform a jungle-laden frontier into a cultivated system of plantations. Claiming that local peasants were indolent, the British soon began importing indentured labour from central India. In the twentieth century these migrants were joined by others who came voluntarily to seek their livelihoods.

In Empire’s Garden, Jayeeta Sharma explains how the settlement of more than one million migrants in Assam irrevocably changed the region’s social landscape. She argues that the racialized construction of the tea labourer catalyzed a process by which Assam’s gentry sought to insert their homeland into an imagined Indo-Aryan community and a modern Indian political space. Various linguistic and racial claims allowed these elites to defend their own modernity while pushing the burden of primitiveness onto “non-Aryan” indigenous tribals and migrant labourers. As vernacular print arenas emerged in Assam, so did competing claims to history, nationalism, and progress that continue to reverberate in the present.

“Jayeeta Sharma’s subject is the creation of the notion of ‘Assam’ during the pre-colonial and colonial periods, both as a literary artefact and as a region defined by its relationship to the wider India. She wants to know how, when, and why the Assamese came to see themselves as different, particularly from Bengalis and from the Muslims of what is now Bangladesh. She is also interested in how some subordinate groups within the province were incorporated into the idea of a Hindu Assamese identity and others not … Dr Sharma has made a major contribution to the reassessment which is now under way of what might be called ‘regional patriotisms’, both in India and throughout  Asia. Her wider theoretical and historical interests in the emergence of ‘ethnicities’ or ‘micro-nations’ also put her work in the vanguard of developments in the social sciences more generally.”—C.A. Bayly

Empire’s Garden is a new departure for the historical study of Assam, extraordinarily wide-ranging, with important things to say not only about Assam but about India, South Asia, and themes ranging from colonialism, nationalism, and regionalism to ethnicity, elite formation, migration, and economic development. It will anchor histories of Assam for years to come.”—David Ludden

“This rich history of Assam fills a void in scholarship. Assam is an area of South Asia that has received little attention from serious historians of the subcontinent, except those working on the tea industry. Jayeeta Sharma provides us with fascinating details of Assam’s history. More importantly, she relates local themes to larger issues of South Asian history: colonial ideologies of race and the importance of these ideologies to the political economy, the structure of colonial rule, the development of the public sphere, and the reformulation of identities under colonial circumstances. Empire’s Garden also helps us to understand the historical dimensions of contemporary conflicts in the region, without making the conflicts seem predetermined by what happened in the colonial period.”—Douglas E. Haynes

JAYEETA SHARMA is Assistant Professor of History, University of Toronto.

Hardback /  348pp / Rs 750 /  ISBN 81-7824-343-1 / October 2011 / South Asia rights
COPUBLISHED WITH DUKE UNIVERSITY PRESS 






Comments

Popular posts from this blog

THE BOOK OF INDIAN ESSAYS

Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay”   brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose  did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra   • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f

THE GREAT AGRARIAN CONQUEST by NEELADRI BHATTACHARYA

BUY THE PAPERBACK       FROM THE REVIEWS   Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ff ers is a wholly original account of the transformation to agrarian colonialism . . .   Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarly output, limited to sev

PARTHA CHATTERJEE: THE TRUTHS AND LIES OF NATIONALISM as narrated by Charvak

"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript