Skip to main content


A.M. Shah—A.N. Sattanathan—Abhijit Gupta—Agha Shahid Ali—Amit Chaudhuri—Amita Baviskar-—Amiya Sen—Ania Loomba—Anindita Ghosh—Antje Linkenbach—Arvind Krishna Mehrotra—Ashis Nandy—Ayesha Jalal—Bill Aitken—Thomas Blom Hansen—Brajadulal Chattopadhyaya—Brigid Keenan—Bruce Lawrence—C.M. Naim—Charu Gupta—Chitra Joshi—Chitralekha Zutshi—Christophe Jaffrelot—Claude Markovits—D.K. Chakrabarti—D. Venkat Rao—David Arnold—David Hardiman—David Ludden—Dhriti K. Lahiri Choudhury—Dipesh Chakrabarty—E.H. Aitken—Emma Tarlo—Frances Pritchett—Francesca Orsini—Francis Robinson—Ghanshyam Shah—Ghazala Shahabuddin—Gopal Gandhi—Gyanendra Pandey—Harish Damodaran—Heinrich von Stietencron—Hew McLeod—Ian Bryant Wells—Ian Talbot—Indrani Chatterjee—Jackie Assayag—Janaki Bakhle—Joerg Fisch—Jon Lang—Jyotika Virdi—K. Sivaramakrishnan—K. Ullas Karanth—Kapil Raj—Kaushik Basu—Kaushik Roy—Leela Gandhi—Leela Prasad—Lucy Rosenstein—M.S.S. Pandian—Madhav Gadgil—Mahesh Rangarajan—Mahmood Mamdani—Manu Goswami—Mark Baker—Martha Nussbaum—Meera Kosambi—Meera Nanda—Michael Fisher—Monica Juneja—Mridu Rai—Mukul Kesavan—Muzaffar Alam—Nandini Sundar—Nayanjot Lahiri—Nicholas B. Dirks—Nivedita Menon—P.K. Datta—Partha Chatterjee—Partha Sarathi Gupta—Patricia Uberoi—Peter Heehs—Peter van der Veer—Prachi Deshpande—Pratik Chakrabarty—Priya Kumar—Rajendra Vora—Rajeswari Sunder Rajan—Rajit Mazumder—Ramachandra Guha—Raminder Kaur—Ramya Sreenivasan—Ranjani Mazumdar—Ratna Kapur—Ravi Kanbur—Richard Wolf—Rosie Llewellyn Jones—Rudrangshu Mukherjee—S. Percy Lancaster—Salim Ali—Sambudha Sen—Sanjay Subrahmanyam—Seema Alavi—Shabnum Tejani—Shail Mayaram—Sharad Chari—Sheila Dhar—Sheldon Pollock—Shonaleeka Kaul—Simona Sawhney—Srinath Raghavan—Srirupa Roy—Stuart Blackburn—Subrata Dasgupta—Sudipta Kaviraj—Sugata Bose—Sujoy Das—Sumathi Ramaswamy—Sumit Guha—Sumit Sarkar—Sunil Kumar—Sunil Sharma—Suvir Kaul—Swapan Chakravorty—Swarup Roy—Tabish Khair—Tanika Sarkar—Tapati Guha Thakurta—Tara Gandhi—Thomas Blom Hansen—Thomas Metcalf—Tony Ballantyne—Ulrike Stark—Uma Dhupelia Mesthrie—Upinder Singh—Valmik Thapar—Vasant Saberwal—Vasanthi Srinivasan—Vasudha Dalmia—Veena Naregal—Velcheru Narayana Rao—Veronique Benei—Vijay Tendulkar—Vinayak Chaturvedi—Yasmin Saikia—Zai Whitaker.


Popular posts from this blog


BUY THE PAPERBACK       FROM THE REVIEWS   Review in SOCIAL HISTORY, USA by Benjamin Siegel The Great Agrarian Conquest represents a massive intervention into the contemporary historiography of South Asia, elaborating upon some conventional wisdom but upending a great deal more of it. Readers might well place this book in conversation with works like Ranajit Guha ’ s A Rule of Property for Bengal (1963) and Bernard Cohn ’ s Colonialism and Its Forms of Knowledge (1997), to which The Great Agrarian Conquest owes some preliminary inspiration. Yet what Bhattacharya o ff ers is a wholly original account of the transformation to agrarian colonialism . . .   Few volumes in South Asian history have been more awaited than this monograph, Neeladri Bhattacharya ’ s fi rst. One of the most celebrated mentors and researchers at New Delhi ’ s Jawaharlal Nehru University, Bhattacharya retired in 2017 after a decades-long career. His formal scholarly output, limited to sev


"While the Covid-19 pandemic was still raging in the autumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I unwrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript


Indians have been writing prose for 200 years, and yet when we think of literary prose we think of the novel. The “essay”   brings only the school essay to mind. Those of us who read and write English in India might find it hard to name an essay even by someone like R.K. Narayan as easily as we would one of his novels, say Swami and Friends or The Guide . Our inability to recall essays is largely due to the strange paradox that while the form itself remains invisible, it is everywhere present. The paradox becomes even more strange when we realise that some of our finest writers of English prose  did not write novels at all, they wrote essays. The anthology is an attempt at making what has always been present also permanently visible. Arvind Krishna Mehrotra   • A collection of the finest essays written in English by Indians over the past two hundred years. • The Book of Indian Essays is a wide-ranging historical anthology of the Indian essay in English – the f